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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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10.05.23

Travel

Beata Heuman Made Her Name Designing Colorfully Maximalist Interiors. Now She’s Bringing That Same Aesthetic to a Chic Parisian Hotel.

The Swedish-born, London-based designer Beata Heuman is known for bringing character and charm to her interiors. And she does just that with her first hotel project: Hôtel de la Boétie, which opened in September, the sixth Parisian space from design-forward French hotel group Touriste. For this collaboration, Heuman and her studio worked with the 19th-century architecture of the building — located in rue de la Boétie in the eighth arrondissement, not too far from the Champs-Élysées — and incorporated existing elements such as the marble entrance, elevator, and staircase of the 40-room property. Keeping the design relatively simple, using a limited palette, natural woods, and stainless steel and brass, Heuman has created the kind of heightened atmosphere you can have in spaces that are meant to be traveled through and not necessarily lived in all the time. “We can treat it a bit like a stage set, which is not the approach I would take when it comes to someone’s home,” says Heuman.
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