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10.01.24

Sighted

Hauvette & Madani’s Second Furniture Collection Channels 1930s Art Deco and the Strict Geometries of a Visionary Architect

When the French design duo Hauvette & Madani released their debut furniture collection in 2021, they called it Amuse-Bouche, after the small canapés served prior to a meal. Their newest collection, which launched during Paris's design week last month, has a slightly more esoteric name — following with the dining theme, they called it Entremets, dubbed for the decorative after-dinner or between-course treats popular in French cuisine — but it's a clear and logical evolution from their previous releases. Here, oak, lacquer, and Art Deco accents are the primary ingredients, resulting in a mélange of pieces with a distinctly 1930s feel. This means hard lines, essential geometries, and lots of layered materials, which have been cropping up a lot in new collections recently. Deco is seemingly the design era du jour.
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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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