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04.19.24

Excerpt: Exhibition

If You Like Architectural Details, You’ll Love This Comprehensive Archive of Modernist Buildings and Interiors, On View in Milan

Unless you’re very offline, design-wise, you probably know about Prague-based architecture historian and curator — as well as frequent Sight Unseen contributor! — Adam Štěch. On his well-loved Instagram account, @okolo_architecture, he’s been assiduously and beautifully cataloging 20th-century architecture and interior design details for years. His photographic efforts aren’t simply representative, they’re revelatory, and they’re currently on view as part of Salone in his Elements exhibition at Dropcity, a new center for architecture and design in Milan. By focusing on the parts — the lighting, seating, tables, railings, doors, handles, windows, floors, and more — Štěch’s 3,000 images give us a new sense of the whole: not only the larger project of how a particular building was put together in a cohesive way, but a comprehensive view of how architecture and design developed and moved throughout the last century, charting the differences and similarities of Modernist buildings over time and through place.
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06.23.26

The Weekly

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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