I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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Garcé & Dimofski’s Live-Work Space in Lisbon is Like an Incubator for Contemporary Design — And Their Own Ideas

Like many creatives over the past few years, Olivier Garcé and Clio Dimofski relocated to Lisbon with their daughter Zoë and dog Lewitt (as in Sol) in 2021, after working separately in Paris (Garcé at Hamonic + Masson & Associés; Dimofski at Shigeru Ban), and then together in New York during a stint with Pierre Yovanovich that overlapped with the pandemic. For a brief period, the duo opened up their West Village apartment as an appointment-only furniture showroom, and the idea kind of stuck. The couple now similarly use their Portuguese live-work base to showcase their own designs amongst pieces by others — forming a space for experimenting with ideas that they also happen to live with.
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