I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.
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A Fictional Graphic Designer Was the Muse for This São Paulo Exhibition

“Who lives in this house?” you might be wondering after seeing these images of a stainless-steel Mario Botta sofa sitting upon a high-pile wool rug, or two steel-wrapped, camel-colored Kazuhide Takahama chairs. Its occupant would certainly be lauded for having great taste — if only they existed IRL. The space was actually designed for a fictional character, by a trio of Brazilian creative forces who teamed up to produce an exhibition that celebrates the country’s architecture, design, and art of the mid-20th century, and uses its modernist flavors to inform new works that are also on show.
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